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Review: A Quiet Kind of Magic — Tia Gostelow at Froth Craft Bunbury

  • Mar 30
  • 2 min read

Not every artist walks on stage and tries to take the room.


Some change it without asking.


As the storm from Cyclone Narelle continued to settle over Bunbury, Tia Gostelow stepped into Froth Craft with a presence that didn’t push against the noise of the night — it softened it.


There was a quiet strength in the vulnerability she carried.


From the first note, it was clear this wasn’t about performance in the traditional sense. It was about feeling. Her voice — soft, dreamy, but grounded — didn’t just sit over the room, it moved through it.


And when she sings, you don’t just hear the story… you see it.


It’s in her eyes.


Each song felt like stepping into a different headspace, a different version of her world.


There was a calm focus to everything she did, like she was completely locked in — not to the crowd, not to the expectation of the night, but to the moment she was sharing.


And slowly, almost without noticing, the room began to shift with her.


Conversations softened. Movement slowed. People who had been half-listening started leaning in, even if they stayed seated. It wasn’t a loud reaction — but it was a real one.


Accompanying her was her childhood guitar teacher, Tommy — and that connection added something you can’t manufacture.


Between songs, there were these small exchanges. A quick smile. A shared laugh. The kind of moments that remind you this isn’t just a performance — it’s a relationship that’s grown over years, now playing out in front of a room full of strangers.


There was something grounding in that.


At this stage of the night, the crowd still wasn’t fully in “gig mode.” People were eating, drinking, waiting for the energy to lift.


But Tia didn’t need that energy to meet her.

She created her own space within it.

And maybe that’s what stood out most — she didn’t try to compete with the night.


She didn’t need to.


She just existed within it, fully, honestly.


I’ll admit — before this, every time I tried to look up Tia, my ADHD brain would take me somewhere completely unrelated, trying to place the name. I’d somehow ended up going down a rabbit hole trying to figure out which one of the Twitches twins was Tia.


The similarity? Just the name - and the magic.


Because standing there, watching her live, there’s no confusion at all.


Tia Gostelow is unmistakably her own.


And what she brought to Froth Craft Bunbury wasn’t about big moments or loud reactions.


It was something quieter than that.


Something that stays with you — a look, a feeling, a moment you don’t quite shake.




By Uncle Tatt — host of Between the Notes, where even in the middle of a storm, there’s always space for something gentle to break through.








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